Sean teaches the Dharma as a path of inquiry and integration, and draws on 20 years of devotion to meditation and yoga. He was a monk in Burma in 2002, and has studied with many wonderful teachers including Jack Kornfield, Sylvia Boorstein and Eugene Cash (Dharma, meditation), David Moreno and Alice Joanou (yoga), and Steve Hoskinson (Somatic Experiencing). Sean teaches at Yoga Tree, Yoga Garden SF, Piedmont Yoga, and SF Insight, and leads kirtan, offering the practice of Bhakti Yoga as an integral aspect of a heart-centered Path. Sean is authorized to teach by Jack Kornfield, and is certified as an SEP (Somatic Experiencing Practitioner) and E-RYT200/RYT500 (Experienced Registered Yoga Teacher). He is a graduate of the Dedicated Practitioner’s Program and the Mindfulness Yoga and Meditation Training at Spirit Rock Meditation Center.
About my classes
Yoga is a vast and beautiful tradition that encompasses transformative practices from asana to meditation, from rigorous religious logic to mystical poetry to radical interventions in our daily lives. I was initially drawn, in my early twenties, to intensive meditation retreat, recognizing that my distress as a young man was primarily a condition of my own mind. When I started astanga soon after, it was as a dancer, and only over time did I realize that I was engaging my inner process both through stillness, in meditation, and through movement, in asana. As my practice matured over 20 years, I have come to deeply respect both practices as valuable aspects of an integrated spiritual path, and teach them as inseparable elements of a yogic life.
My asana classes offer a slower moving but challenging vinyasa centered on continuity of breath awareness and physical grace. I welcome all body types and levels, and everyone is encouraged to practice in the rhythm and intensity that’s right for them. I use very minimal music, and encourage students to draw their attention inward, letting go of social attention in favor of a focused inner stillness, even through sometimes vigorous movement. My classes emphasize the practices at the heart of early Hatha Yoga, especially pranayama, bandha, and kriya, over the modern innovations of acrobatics and contortion.
My philosophy and history classes emphasize an ecumenical and historical approach to the very diverse yogic traditions, balancing that postmodern perspective with a stance of respect and devotion (bhakti). I strongly encourage serious students of yoga to educate ourselves as fully as we can in the practices and ideas that form the bedrock of the historical traditions, and to cultivate the practice of meditation specifically as the heart of the ancient existential inquiry that is yoga.
Sean Feit is a classically trained composer and multi-instrumentalist. He studied music composition at CalArts (BFA, 1993), focusing on Renaissance polyphony, and Cornell University focusing on the New York School. Sean is currently a PhD Candidate in Performance Studies at UC Davis, writing on Buddhist contemplative practice in the arts. He has lived in Zen and Burmese monasteries, absorbing the radical stillness and listening of the Buddha, and been committed to Dharma practice for 20 years. He teaches yoga, meditation, and sutra study, leads kirtan, and is authorized as a vipassana teacher by Jack Kornfield.
In San Francisco, Sean trained in dance and performance with Kathleen Hermsdorff, Keith Hennessy and Jess Curtis, butoh with Katsura Kan and others, piano with David Arden and Myra Melford, and Authentic Movement with Bill McCully. He co-directed RUJEKO Performance Collaboration with Keren Abrams from 1997-2005, creating a ritual performance language deeply informed by meditative practice, and has danced and/or made music with Scott Wells, Angus Balbernie, The Bodycartography Project, Seth Eisen, AVY K Productions, and Leslie Seiters Little Known Dance Theater, for whom he created the score for The Way to Disappear (2005).
Sean was a member of Keith Hennessy’s critically acclaimed company, Circo Zero, and worked with them in residency at Les Subsistences in Lyon, France. His music for Circo Zero’s Sol Niger (2008) was called “brilliantly charged” (SF Bay Guardian), and “bold, dazzling and filled with fresh insights” (Beyond Chron). Sean’s music for Sol Niger won an Isadora Duncan Dance Award for Best Sound/Text 2007-8. Recent work includes The Midnight Club, a participatory late-night performance installation and training, emphasizing open-ended process and community spiritual practice. Sean is a current participant in the Body Politic Think Tank at Yerba Buena Center for the Arts.
[email protected] / 510 984 4008